More Songs, by Sébastien Roux

More Songs

by Sébastien Roux

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1.	Créancier de secondes 02:12	buy track
2.	More Songs 1/7 03:32	buy track
3.	More Songs 2/7 01:19	buy track
4.	More Songs 3/7 03:46	buy track
5.	More Songs 4/7 01:24	buy track
6.	More Songs 5/7 02:02	buy track
7.	More Songs 6/7 03:07	buy track
8.	More Songs 7/7 01:05	buy track
9.	Obliques 1/5 03:31	buy track
10.	Obliques 2/5 01:55	buy track
11.	Obliques 3/5 03:39	buy track
12.	Obliques 4/5 02:24	buy track
13.	Obliques 5/5 04:05	buy track

about

More Songs is the fourth solo album by Sébastien Roux, and a sequel to Songs, released on Taylor Deupree's 12k label.

It consists in three electroacoustic compositions which use an ensemble of acoustic instruments (strings, clarinet, horn, percussion, flute) recordings as source material. It starts with the short Créancier de secondes, a musique concrète rereading of the eponymous work by French composer Gérard Pesson. For More Songs, Roux asked fellow composer Mathieu Bonilla to transcribe seven fragments of Beethoven's 10th string quartet, which are used as sound content within the piece as well as drawing from their structure to build the piece. Obliques is a revised version of a live piece written for cellist Séverine Ballon.

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More Songs est le quatrième album solo de Sébastien Roux, la suite de Songs paru sur le label de Taylor Deupree, 12k.

On y retrouve trois pièces de musique concrète basées sur des sons d'instruments acoustiques : Créancier de secondes, une transcription électroacoustique de l’œuvre éponyme pour violon et violoncelle de Gérard Pesson, More Songs, dont le matériau instrumental de départ consiste en une série de transcriptions, imaginées par Mathieu Bonilla, de sept fragments du premier mouvement du 10ème quatuor à cordes de Beethoven, et Obliques, la version retravaillée pour bande seule de la pièce mixte éponyme, créée en étroite collaboration avec son interprète, Séverine Ballon.

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released December 4, 2012

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Sébastien Roux Paris, France

Sébastien Roux compose de la musique électronique qu'il donne à entendre sous la forme de disques, de séances d'écoute, d'installations ou parcours sonores, d’œuvres radiophoniques.

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